The cartographic method on the research about platformized audiovisual strategies by female independent musicians

Abstract

The article presents a discussion about the usage of the cartographic method in a study in development that observes and analyzes the audiovisual strategies by the independent female musicians of Porto Alegre which are composers, singers and play musical instruments, and who released music products during the Covid-19 pandemic. This sight is developed from the perspective of audiovisualities and technoculture, considering gender and intersectionality issues on this unfolding of the audiovisual's platformization process. The usage of the cartographic method, initiated by the flânerie move in a digital environment, has resulted on the corpus’s definition, with the mapping of the artists, their releases, and their videos. On the continuity of the appliance of the method, we organized the collections, procedure that will be followed by the authentication of tendencies, observed as constellations, inside the notion of the cartography with Benjaminian inspiration.